Why is it relevant to me?

Zheng is interesting for my work because he uses the screen in a special way. At the same time he references the tree as a symbol of exchange and a distorted perception of nature. I am very interested in this connection of the digital to nature and the overlaying of nature with the digital that tries to read information. Zheng shows an unusual view of nature and creates a simultaneity of scenarios running in parallel, so that the visitor hardly gets the opportunity to grasp the whole event from one point of view. The idea of an observation by the algorithm is also an interesting observation.

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What are my key take aways and how can I implement them?

I can learn from this how simultaneity can be created in a work and that the screen can be reinterpreted. The hanging in a metal construct reminds me of Anadol's projections in which images are superimposed in grids. I could also make my allusions to nature more technical/geometric in my work and maybe keep the natural colors. I am fascinated by the lightness of the construction and the play with the negative spaces.